We know immediately if a word describes high energy or low energy: for example, lethargic instantaneously suggests low energy. It also immediately implies musical factors: slow tempo, low volume, probably not high-pitched. Doesn’t this tell us a lot about our everyday language and its implications for the analysis of musical energy? Another word that comes… Continue reading Energy Words
Category: SEA
Here you will find essays that deal with aspects of Sound-Energy Aggregate theory.
Following the Need
The Just Listening workshop began as an attempt to promote the analytical practice I call the Sound-Energy Aggregate. At a time of great distress about my own future, having had most of my teaching cut one fall, I reached out to a career coach to get help in developing a way to promote the SEA.… Continue reading Following the Need
Music and Community
One of the most important books to have influenced my thinking about music and music-making is Christopher Small’s book, Music, Society, Education. Among the many things it helped clarify for me, one thing that probably drew me into his thinking was that he used Grateful Dead concerts to demonstrate the growth of community in shared… Continue reading Music and Community
Melody as relationship
One of the most simple, yet striking realizations to come from the SEA theory is the fact that melody is a relationship. It’s so often talked of as all about the pitches, what they convey, and that’s not wrong. Many point to the value of rhythm – Ornette Coleman’s saying that rhythm is like oxygen… Continue reading Melody as relationship
Musical Energy: Articulation
Articulation, the way sounds are started and stopped, is a very important transmitter of energy. The connection between speech and music is deep and multi-faceted, but for now I want to bring attention to the way we interpret another’s words as a result of how they are articulated, and suggest that the same sort of… Continue reading Musical Energy: Articulation
Musical Energy: Dynamics
One of the most important means of altering the energy of music is by means of dynamics. Officially known as loudness, or sound pressure level, this acoustical fact can be measured accurately and expressed in decibels (dB): perception of loudness is a fundamental aspect of our hearing. Accomplished at the very first stage of the… Continue reading Musical Energy: Dynamics
Musical Energy: Harmony
By now, I’ve written in the blog rather often about the Sound-Energy Aggregate, or SEA theory. The basic premise is that many musical factors, or parameters, are involved in creating the acoustical information that our brains process. The theory holds that any musical factor can create energy that changes over time, and that all musical… Continue reading Musical Energy: Harmony
The question of energy
The question of energy in music is vexing: easy to say, hard to define. One way of looking at energy is to bring forward traditional concepts from physics and everyday life. In physics, there are a number of categories of energy, some of which directly relate to music, some of which create interesting parallels to… Continue reading The question of energy
Evolution of a practice
As I’ve begun this blog, I’ve had in mind sharing ideas on music facilitated by experience in meditation, thus the title, Contemplating Music. Regular readers and those who know me well will have noticed that there is a divide in my writing, between technical issues surrounding my SEA analysis technique and the more general, socially… Continue reading Evolution of a practice
SEAstudy
I want to provide a little experience in estimating musical energy. I’ve given a taste of this sort of experience in my first SoundPost, and referenced the theory behind it in a couple of essays as well. The study here is very similar to something I’m carrying around to schools, where participants have the advantage… Continue reading SEAstudy