Drawing musical energy

In my teaching, I have a habit of having people draw their account of a piece. Since I call virtually everything into question, a natural thought arises: what’s that drawing all about?  Drawing asks for an embodiment of a visual sort, which helps a person put the thoughts they may have about a piece into… Continue reading Drawing musical energy

Grateful for Being Noticed

This spring I was awarded a grant from the Massachusetts Cultural Council to support my workshop, Just Listening. It matters deeply to be noticed, recognized for what one does. I’ve been working on a new venture for several years now, always returning to the idea that I am bringing an experience of value to others.… Continue reading Grateful for Being Noticed

Following the Need

The Just Listening workshop began as an attempt to promote the analytical practice I call the Sound-Energy Aggregate. At a time of great distress about my own future, having had most of my teaching cut one fall, I reached out to a career coach to get help in developing a way to promote the SEA.… Continue reading Following the Need

Music and Community

One of the most important books to have influenced my thinking about music and music-making is Christopher Small’s book, Music, Society, Education. Among the many things it helped clarify for me, one thing that probably drew me into his thinking was that he used Grateful Dead concerts to demonstrate the growth of community in shared… Continue reading Music and Community

Melody as relationship

One of the most simple, yet striking realizations to come from the SEA theory is the fact that melody is a relationship. It’s so often talked of as all about the pitches, what they convey, and that’s not wrong. Many point to the value of rhythm – Ornette Coleman’s saying that rhythm is like oxygen… Continue reading Melody as relationship

Musical Energy: Dynamics

One of the most important means of altering the energy of music is by means of dynamics. Officially known as loudness, or sound pressure level, this acoustical fact can be measured accurately and expressed in decibels (dB): perception of loudness is a fundamental aspect of our hearing. Accomplished at the very first stage of the… Continue reading Musical Energy: Dynamics

Musical Energy: Harmony

By now, I’ve written in the blog rather often about the Sound-Energy Aggregate, or SEA theory. The basic premise is that many musical factors, or parameters, are involved in creating the acoustical information that our brains process. The theory holds that any musical factor can create energy that changes over time, and that all musical… Continue reading Musical Energy: Harmony

Meta-composing

I have had a rupture in my composing life that spans the pandemic, but I couldn’t say that the pandemic is the cause.  On March 1 of 2020, I enacted a pre-premiere, a “dry run” of a piece whose premiere would end up being postponed for two years, Groundhog Night (the link here is to… Continue reading Meta-composing

The question of energy

The question of energy in music is vexing: easy to say, hard to define. One way of looking at energy is to bring forward traditional concepts from physics and everyday life. In physics, there are a number of categories of energy, some of which directly relate to music, some of which create interesting parallels to… Continue reading The question of energy

“How’s it going?”

How’s it going?  It’s a simple question that needs a more complicated answer than “fine”.  The more I live in this world, the more I realize that my life is full of opposites, and that both “fine” and “not so well” are credible answers to that familiar question on a given day.  And I’m coming… Continue reading “How’s it going?”