The manner of listening the Sound-Energy Aggregate (SEA) requires is very much a contemplative practice, and listening is essential to the SEA approach to musical understanding. The SEA asks that one simply listen openly and then recall sounds and energies heard. This framework for listening is subtly different from how we are typically encouraged to… Continue reading Listening and the SEA
Tag: contemplation
Composing Again!
I’ve taken an extended break from composing in the last few years, only creating two pieces since composing Groundhog Night. That piece marked a turning point in many ways, and my world has shifted significantly since. Audience engagement, bringing realizations about music to participants, building community, creating an enjoyable experience, teaching through doing… all erode… Continue reading Composing Again!
Relationship: Musical Texture and Energy
Texture is a word carefully defined in music, and it doesn’t necessarily mean what one might think. In music, texture is the way all elements present relate to each other. Historically this would mean the way melodic lines combine to form patterns. When a melody is imitated by a following voice, we call the texture… Continue reading Relationship: Musical Texture and Energy
Flow depends on trust
Flow gets a fair amount of attention these days, and rightfully so. When we can do what we do, even though it is complicated, difficult, dangerous, or just pure fun, with little to no thought about how to do it, we are in the flow. Uncertainty about how to do such a thing might cause… Continue reading Flow depends on trust
More on Contemplative Music Theory
In a previous post, I discussed Contemplative Music Theory in the context of beginner’s mind, and asked what that might offer to improve our thinking about music, and music theory. That essay barely scratched the surface of what contemplation brings to the endeavor, so I’ll add a bit more now. One primary benefit of allowing… Continue reading More on Contemplative Music Theory
Contemplative Music Theory
This blog is called Contemplating Music for very specific reasons, the primary one being that it urges the adoption of an approach to knowing that differs from the paradigm of learning and knowing that pervades our culture. It’s hard to pin down in just a few words what that paradigm is, but I’ll make an… Continue reading Contemplative Music Theory
Lessons from music for life
A lot is written about how music reflects life. Our musical terminology is filled with metaphors that prove the point, and I put a lot of thought into the topic myself. But there’s another direction ideas and influence can flow: music offers lessons for life as well. I’m not saying no one has broached the… Continue reading Lessons from music for life
Drawing musical energy
In my teaching, I have a habit of getting people to draw their account of a piece. Since I call virtually everything into question, a natural thought arises: what’s that drawing all about? Drawing asks for an embodiment of a visual sort, which helps a person put the thoughts they may have about a piece… Continue reading Drawing musical energy
Grateful for Being Noticed
This spring I was awarded a grant from the Massachusetts Cultural Council to support my workshop, Just Listening. It matters deeply to be noticed, recognized for what one does. I’ve been working on a new venture for several years now, always returning to the idea that I am bringing an experience of value to others.… Continue reading Grateful for Being Noticed
Music and Community
One of the most important books to have influenced my thinking about music and music-making is Christopher Small’s book, Music, Society, Education. Among the many things it helped clarify for me, one thing that probably drew me into his thinking was that he used Grateful Dead concerts to demonstrate the growth of community in shared… Continue reading Music and Community