More on Contemplative Music Theory

In a previous post, I discussed Contemplative Music Theory in the context of beginner’s mind, and asked what that might offer to improve our thinking about music, and music theory. That essay barely scratched the surface of what contemplation brings to the endeavor, so I’ll add a bit more now. One primary benefit of allowing… Continue reading More on Contemplative Music Theory

Contemplative Music Theory

This blog is called Contemplating Music for very specific reasons, the primary one being that it urges the adoption of an approach to knowing that differs from the paradigm of learning and knowing that pervades our culture. It’s hard to pin down in just a few words what that paradigm is, but I’ll make an… Continue reading Contemplative Music Theory

Grateful for Being Noticed

This spring I was awarded a grant from the Massachusetts Cultural Council to support my workshop, Just Listening. It matters deeply to be noticed, recognized for what one does. I’ve been working on a new venture for several years now, always returning to the idea that I am bringing an experience of value to others.… Continue reading Grateful for Being Noticed

Following the Need

The Just Listening workshop began as an attempt to promote the analytical practice I call the Sound-Energy Aggregate. At a time of great distress about my own future, having had most of my teaching cut one fall, I reached out to a career coach to get help in developing a way to promote the SEA.… Continue reading Following the Need

Melody as relationship

One of the most simple, yet striking realizations to come from the SEA theory is the fact that melody is a relationship. It’s so often talked of as all about the pitches, what they convey, and that’s not wrong. Many point to the value of rhythm – Ornette Coleman’s saying that rhythm is like oxygen… Continue reading Melody as relationship

Musical Energy: Dynamics

One of the most important means of altering the energy of music is by means of dynamics. Officially known as loudness, or sound pressure level, this acoustical fact can be measured accurately and expressed in decibels (dB): perception of loudness is a fundamental aspect of our hearing. Accomplished at the very first stage of the… Continue reading Musical Energy: Dynamics

Musical Energy: Harmony

By now, I’ve written in the blog rather often about the Sound-Energy Aggregate, or SEA theory. The basic premise is that many musical factors, or parameters, are involved in creating the acoustical information that our brains process. The theory holds that any musical factor can create energy that changes over time, and that all musical… Continue reading Musical Energy: Harmony

Meta-composing

I have had a rupture in my composing life that spans the pandemic, but I couldn’t say that the pandemic is the cause.  On March 1 of 2020, I enacted a pre-premiere, a “dry run” of a piece whose premiere would end up being postponed for two years, Groundhog Night (the link here is to… Continue reading Meta-composing

“How’s it going?”

How’s it going?  It’s a simple question that needs a more complicated answer than “fine”.  The more I live in this world, the more I realize that my life is full of opposites, and that both “fine” and “not so well” are credible answers to that familiar question on a given day.  And I’m coming… Continue reading “How’s it going?”

Socrates and me

I just read a really great article by Paul Woodruff, “How I learned to heal my soul, with help from love and Socrates”, which describes Socrates’ thoughts on healing the soul. It makes me realize that Socrates has had a long-term effect on my soul, my thinking. His teaching method, the Socratic method, is well… Continue reading Socrates and me